Pink Black Thick Square Sunglasses
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Pink Black Oversized Thick Square Sunglasses Gold Temple Accents
An oversized square front moulded in thick acetate, squared at every corner and carried well beyond the lens on each side, on wide flat arms with a raised gold-tone ornament behind each hinge.

A short run on the one square front, and the translucent pair goes first.
Squared corners, carried past the eye
You come up out of the station at noon and the light is straight overhead, which is the hardest hour of the day and the one that asks for a wide front. It goes on at the top of the steps, before the pavement, and the first people you meet are coming the other way at arm's length. What they see is a square that stays square at every corner, carried out beyond the lens and down the side of the face.
The read changes because the frame takes territory. A rim this deep and this wide sets the upper half of the face as a decided shape rather than an accommodation, and the dark top of the gradient keeps the eyes private while the lower edge stays open. Then you lift it off mid-sentence to read a sign, and the face arrives second, after the front has already spoken. The look that follows lands on the raised gold-tone ornament behind the joint and concludes the choice was made on purpose.
By the crossing, two people have turned their heads.
Acetate moulded thick, squared off at the corner
The front is moulded in thick acetate and squared at every corner rather than rounded off, carried well beyond the lens on each side so the shape holds in profile. The bridge is moulded into the front rather than fitted with adjustable nose pads, which keeps the line across the face unbroken.
The hand finds the temples first: wide flat arms on metal hinges, deep enough to close off the side of the face, each set with a raised gold-tone ornament behind the joint. Two of the four finishes are translucent acetate rather than solid, so the colour carries light. Every lens is a gradient, darker at the top and clearing towards the bottom.



Corners, hinges and the gradient
- Oversized square front moulded in thick acetate
- Squared at every corner and carried past the lens
- Wide flat arms on metal hinges, deep at the side of the face
- A raised gold-tone ornament behind each joint
- Polarised lenses with an anti-glare treatment
- Full UV400 filtering across UVA and UVB
Four colourways on the one square front
The selector lists Rose, Black, Black I and Brown. Two of the four are translucent acetate rather than solid, and every lens runs as a gradient.
What travels with it
Order more than a single pair and a complimentary gift is packed in alongside, chosen by us and included without being asked for.
| Piece | Sunglasses |
|---|---|
| Material | Acetate |
| Frame | Acetate |
| Lenses | Polarised, UV400, anti-glare |
| Hardware | Gold-tone |
| Bridge | Moulded into the front rather than fitted with adjustable nose pads |
| Temples | Wide flat arms on metal hinges |
| Hinge detail | A raised gold-tone ornament behind the joint |
| Filter | Full UV400 filtering across UVA and UVB |
| Colours | Rose, Black, Black I, Brown |
A box is offered as an option above
One square front, a short acetate run
Thick acetate is cut and finished to a quantity rather than run continuously, and the two translucent finishes empty before the solid ones. Selling direct, with no retail margin stacked on top, is what puts a polarised and anti-glare lens on a front cut this deep. A return of the same run is not guaranteed.
Choose the finish while all four are still listed together. If the width is not what you pictured on your own face, send it back within fourteen days.